æçµå¯©æ»å¡
ãããã»ã«ãã©ãã ãã¹ã¿ãŒãº2026ãã®æçµå¯©æ»å¡ã¯ãèåãªåçèžè¡æ©é¢ãçŸè¡é€šã®å®åå®¶ãæš©åšããåçéèªã®ç·šéè
ãã¢ãŒãã»ã³ã¿ãŒã®ãã£ã¬ã¯ã¿ãŒããã¥ã¬ãŒã¿ãŒãåçã³ãã¥ããã£ã®ä»£è¡šè
ãã§æ§æãããŠããŸãã
* 以äžãé äžåã§ãååãæ²èŒããŠãããŸãã
ãããã»ã«ãã©ãã ãã¹ã¿ãŒãº2026ãã®æçµå¯©æ»å¡ã¯ãèåãªåçèžè¡æ©é¢ãçŸè¡é€šã®å®åå®¶ãæš©åšããåçéèªã®ç·šéè
ãã¢ãŒãã»ã³ã¿ãŒã®ãã£ã¬ã¯ã¿ãŒããã¥ã¬ãŒã¿ãŒãåçã³ãã¥ããã£ã®ä»£è¡šè
ãã§æ§æãããŠããŸãã
* 以äžãé äžåã§ãååãæ²èŒããŠãããŸãã
KALLE SANNER
ãšã°ãŒã¯ãã£ããã£ã¬ã¯ã¿ãŒ
ããã»ã«ãã©ãã財å£
審æ»å¡é·ã®Kalle Sannerã¯ãããã»ã«ãã©ãã財å£ã®ãšã°ãŒã¯ãã£ããã£ã¬ã¯ã¿ãŒã§ãã圌èªèº«ãåçå®¶ã§ããããã®äœåã¯ãç©ºéæ§ãšç¥èŠã®çžäºäœçšãæ¢æ±ãããã®ã§ãã建ç¯åçã®åéã«ãããåœŒã®æŽ»åã¯ãèªäž»äŒç»ãããžã§ã¯ããšãæåæ©é¢ã»å»ºç¯äºåæã»èšèšã¹ã¿ãžãªããã®äŸé Œæ¡ä»¶ã®äž¡æ¹ã«ãŸããã£ãŠããŸãããµããŒã¯ä»¥åãHDK-ãŽã¡ãŒã©ã³ãã§æ ç»ãåçãæèžäœåã®ãŠããã責任è ãåããŠããŸããã
ALEX POLLACK
ãã£ã¬ã¯ã¿ãŒã»ãªãã»ãã©ãã°ã©ãã£ãŒ
ãã·ã§ãã«ãžãªã°ã©ãã£ãã¯
Alex Pollackã¯ãããã·ã§ãã«ãžãªã°ã©ãã£ãã¯ãã®ãã£ã¬ã¯ã¿ãŒã»ãªãã»ãã©ãã°ã©ãã£ãŒã§ãã圌女ã¯ããã©ã³ãã®ããžã¥ã¢ã«ã¹ããŒãªãŒããªã³ã°æŠç¥ãããã©ãããã©ãŒã å šäœã«ããã£ãŠäž»å°ããŠããŸãã20幎ã«ãããéèŠãªåœ¹å²ãæ ã£ãŠãã圌女ã¯ãç·šéäžã®éã倿åãšãã€ã³ãã¯ãã®ããã€ã¡ãŒãžãåµãåºãããšãžã®ç±æã§ç¥ãããŠããŸãã圌女ã®ãããã圱é¿åã¯ãããžã¿ã«ãšå°å·ã®äž¡åªäœã«ãããŠãåçãéããç©èªã®èªãæ¹ã圢äœã£ãŠããŸãããéç¹ã眮ãã®ã¯ã倿§æ§ãç¬åµæ§ããããŠå匷ãèŠèŠçãªç©èªæ§ã§ãã
AYA MUSA
ã·ã㢠ãã¥ã¬ãŒã¿ãŒ
FOAM
Aya Musaã¯ããªã©ã³ãã«ããæåãªåççŸè¡é€šFoamã§ãã·ã㢠ãã¥ã¬ãŒã¿ãŒãåããŠããŸãããã以åã¯ããªã©ã³ãåççŸè¡é€šã«ãŠãã¥ã¬ãŒã¿ãŒãåããŠããŸããã圌ã¯ãæ§ã ãªå±èЧäŒãæå掻åã®èšç»ã»å®è¡ã«æºã£ãŠããé·å¹Žã®çµéšãããããã®å€ãããããããã®ãžã£ã³ã«ã§ã®é©æ°çãªãããžã§ã¯ããšããŠæåãåããŠããŸãã圌ã¯ã仿¥ã®ç€ŸäŒãåçŸãããããªçŸä»£åçã¢ãŒãã«ç¹ã«é¢å¿ãæã£ãŠããŸãã
KALLE SANNER
ãšã°ãŒã¯ãã£ããã£ã¬ã¯ã¿ãŒ
ããã»ã«ãã©ãã財å£
審æ»å¡é·ã®Kalle Sannerã¯ãããã»ã«ãã©ãã財å£ã®ãšã°ãŒã¯ãã£ããã£ã¬ã¯ã¿ãŒã§ãã圌èªèº«ãåçå®¶ã§ããããã®äœåã¯ãç©ºéæ§ãšç¥èŠã®çžäºäœçšãæ¢æ±ãããã®ã§ãã建ç¯åçã®åéã«ãããåœŒã®æŽ»åã¯ãèªäž»äŒç»ãããžã§ã¯ããšãæåæ©é¢ã»å»ºç¯äºåæã»èšèšã¹ã¿ãžãªããã®äŸé Œæ¡ä»¶ã®äž¡æ¹ã«ãŸããã£ãŠããŸãããµããŒã¯ä»¥åãHDK-ãŽã¡ãŒã©ã³ãã§æ ç»ãåçãæèžäœåã®ãŠããã責任è ãåããŠããŸããã
ALEX POLLACK
ãã£ã¬ã¯ã¿ãŒã»ãªãã»ãã©ãã°ã©ãã£ãŒ
ãã·ã§ãã«ãžãªã°ã©ãã£ãã¯
Alex Pollackã¯ãããã·ã§ãã«ãžãªã°ã©ãã£ãã¯ãã®ãã£ã¬ã¯ã¿ãŒã»ãªãã»ãã©ãã°ã©ãã£ãŒã§ãã圌女ã¯ããã©ã³ãã®ããžã¥ã¢ã«ã¹ããŒãªãŒããªã³ã°æŠç¥ãããã©ãããã©ãŒã å šäœã«ããã£ãŠäž»å°ããŠããŸãã20幎ã«ãããéèŠãªåœ¹å²ãæ ã£ãŠãã圌女ã¯ãç·šéäžã®éã倿åãšãã€ã³ãã¯ãã®ããã€ã¡ãŒãžãåµãåºãããšãžã®ç±æã§ç¥ãããŠããŸãã圌女ã®ãããã圱é¿åã¯ãããžã¿ã«ãšå°å·ã®äž¡åªäœã«ãããŠãåçãéããç©èªã®èªãæ¹ã圢äœã£ãŠããŸãããéç¹ã眮ãã®ã¯ã倿§æ§ãç¬åµæ§ããããŠå匷ãèŠèŠçãªç©èªæ§ã§ãã
AYA MUSA
ã·ã㢠ãã¥ã¬ãŒã¿ãŒ
FOAM
Aya Musaã¯ããªã©ã³ãã«ããæåãªåççŸè¡é€šFoamã§ãã·ã㢠ãã¥ã¬ãŒã¿ãŒãåããŠããŸãããã以åã¯ããªã©ã³ãåççŸè¡é€šã«ãŠãã¥ã¬ãŒã¿ãŒãåããŠããŸããã圌ã¯ãæ§ã ãªå±èЧäŒãæå掻åã®èšç»ã»å®è¡ã«æºã£ãŠããé·å¹Žã®çµéšãããããã®å€ãããããããã®ãžã£ã³ã«ã§ã®é©æ°çãªãããžã§ã¯ããšããŠæåãåããŠããŸãã圌ã¯ã仿¥ã®ç€ŸäŒãåçŸãããããªçŸä»£åçã¢ãŒãã«ç¹ã«é¢å¿ãæã£ãŠããŸãã
PAUL LACHENAUER
ãããŒãžã³ã°ãã©ãã°ã©ãã¡ãŒ
ã¡ããããªã¿ã³çŸè¡é€š
Paul Lachenauerã¯ãã¡ããããªã¿ã³çŸè¡é€šïŒãã¥ãŒãšãŒã¯ïŒã»ã€ã¡ãŒãžã³ã°éšéã®ãããŒãžã³ã°ãã©ãã°ã©ãã¡ãŒã§ããéå»29幎éã«ããããå通æèµåã®æ®åœ±ãæ åœããŠããŸããçŸåšã圌ã¯å通ã«ãããã®ãªã·ã£ã»ããŒãéšéã®å±èЧäŒã«ã¿ãã°ãAcross the Wine Dark Seasãã®å¶äœã«åãçµãã§ããŸãã圌èªèº«ã®åçäœåã¯ããã«ãã¯ãªã³çŸè¡é€šããã¥ãŒãšãŒã¯åžç«åç©é€šããã¥ãŒãšãŒã¯å ¬å ±å³æžé€šã®ã³ã¬ã¯ã·ã§ã³ã«åèµãããŠããŸãã
REBECCA SWIFT
ã¯ãªãšã€ãã£ãæ
åœã·ãã¢ãã€ã¹ãã¬ãžãã³ã
ã²ããã£ã€ã¡ãŒãžãº
Rebecca Swiftã¯ãã²ããã£ã€ã¡ãŒãžãºã®ã¯ãªãšã€ãã£ãæ åœã·ãã¢ãã€ã¹ãã¬ãžãã³ãã§ããäžççã«åè³æŽã®ããåºåããã¶ã€ã³ãç·šéã³ã³ãã³ãã§äœ¿çšãããã³ã³ãã³ãå¶äœãäž»å°ããŠããŸããåçæ¥çã§20幎以äžã®ãã£ãªã¢ãæã¡ãã²ããã£ã€ã¡ãŒãžãºã®ã¯ãªãšã€ãã£ããªãµãŒãããŒã ãå ±åèšç«ãã圌女ã¯ãæ¥çã«ãããããžã¥ã¢ã«çãªå€æ§æ§ãæšé²ãããã®æ·±ãèŠèã¯äžççã«ç¥ãããŠããŸãã圌女ã¯ãAdAgeã®ã泚ç®ãã¹ã20人ã®å¥³æ§ããããè±åœããžã¥ã¢ã«ã¡ãã£ã¢ã§æã圱é¿åã®ãããªãŒããŒããªã©ãæ°ã ã®æ èªã«èŒããŠããŸãã
RONGRONG
å
±ååµèšè
ãã¢ãŒãã£ã¹ãã£ãã¯ãã£ã¬ã¯ã¿ãŒ
äžåœ±å æ®åœ±èžè¡äžå¿
RongRongã¯ãäžåœ±å æ®åœ±èžè¡äžå¿ãããã³éçŸÃã¢ã«ã«åœéåçç¥ã®å ±åèšç«è ã§ãã劻ã®ã€ã³ãªïŒæ éïŒãšãšãã«ããå¯å£«å±±ãããå é屯ããªã©ã®ã·ãªãŒãºãå¶äœããŸããã圌ãã®äœåã¯ããã¥ãŒãšãŒã¯è¿ä»£çŸè¡é€šïŒMoMAïŒããã³ãã³ã®ããŒãã»ã¢ãã³ãæ±äº¬éœåççŸè¡é€šãªã©ãäžçåå°ã«åèµãããŠããŸãã倫劻ã¯ããœããŒã¯ãŒã«ããã©ãã°ã©ãã£ãŒã¢ã¯ãŒãã«ãããç¹å¥ååŽè³ããããã³æ¥æ¬åçåäŒã«ãããåœéè³ããåè³ããŠããŸãã
PAUL LACHENAUER
ãããŒãžã³ã°ãã©ãã°ã©ãã¡ãŒ
ã¡ããããªã¿ã³çŸè¡é€š
Paul Lachenauerã¯ãã¡ããããªã¿ã³çŸè¡é€šïŒãã¥ãŒãšãŒã¯ïŒã»ã€ã¡ãŒãžã³ã°éšéã®ãããŒãžã³ã°ãã©ãã°ã©ãã¡ãŒã§ããéå»29幎éã«ããããå通æèµåã®æ®åœ±ãæ åœããŠããŸããçŸåšã圌ã¯å通ã«ãããã®ãªã·ã£ã»ããŒãéšéã®å±èЧäŒã«ã¿ãã°ãAcross the Wine Dark Seasãã®å¶äœã«åãçµãã§ããŸãã圌èªèº«ã®åçäœåã¯ããã«ãã¯ãªã³çŸè¡é€šããã¥ãŒãšãŒã¯åžç«åç©é€šããã¥ãŒãšãŒã¯å ¬å ±å³æžé€šã®ã³ã¬ã¯ã·ã§ã³ã«åèµãããŠããŸãã
REBECCA SWIFT
ã¯ãªãšã€ãã£ãæ
åœã·ãã¢ãã€ã¹ãã¬ãžãã³ã
ã²ããã£ã€ã¡ãŒãžãº
Rebecca Swiftã¯ãã²ããã£ã€ã¡ãŒãžãºã®ã¯ãªãšã€ãã£ãæ åœã·ãã¢ãã€ã¹ãã¬ãžãã³ãã§ããäžççã«åè³æŽã®ããåºåããã¶ã€ã³ãç·šéã³ã³ãã³ãã§äœ¿çšãããã³ã³ãã³ãå¶äœãäž»å°ããŠããŸããåçæ¥çã§20幎以äžã®ãã£ãªã¢ãæã¡ãã²ããã£ã€ã¡ãŒãžãºã®ã¯ãªãšã€ãã£ããªãµãŒãããŒã ãå ±åèšç«ãã圌女ã¯ãæ¥çã«ãããããžã¥ã¢ã«çãªå€æ§æ§ãæšé²ãããã®æ·±ãèŠèã¯äžççã«ç¥ãããŠããŸãã圌女ã¯ãAdAgeã®ã泚ç®ãã¹ã20人ã®å¥³æ§ããããè±åœããžã¥ã¢ã«ã¡ãã£ã¢ã§æã圱é¿åã®ãããªãŒããŒããªã©ãæ°ã ã®æ èªã«èŒããŠããŸãã
RONGRONG
å
±ååµèšè
ãã¢ãŒãã£ã¹ãã£ãã¯ãã£ã¬ã¯ã¿ãŒ
äžåœ±å æ®åœ±èžè¡äžå¿
RongRongã¯ãäžåœ±å æ®åœ±èžè¡äžå¿ãããã³éçŸÃã¢ã«ã«åœéåçç¥ã®å ±åèšç«è ã§ãã劻ã®ã€ã³ãªïŒæ éïŒãšãšãã«ããå¯å£«å±±ãããå é屯ããªã©ã®ã·ãªãŒãºãå¶äœããŸããã圌ãã®äœåã¯ããã¥ãŒãšãŒã¯è¿ä»£çŸè¡é€šïŒMoMAïŒããã³ãã³ã®ããŒãã»ã¢ãã³ãæ±äº¬éœåççŸè¡é€šãªã©ãäžçåå°ã«åèµãããŠããŸãã倫劻ã¯ããœããŒã¯ãŒã«ããã©ãã°ã©ãã£ãŒã¢ã¯ãŒãã«ãããç¹å¥ååŽè³ããããã³æ¥æ¬åçåäŒã«ãããåœéè³ããåè³ããŠããŸãã
SONIA JEUNET
ã°ããŒãã«ãšãã¥ã±ãŒã·ã§ã³ãã£ã¬ã¯ã¿ãŒ
ãã°ãã ã»ãã©ã
Sonia Jeunetã¯ããã³ãã³ãæ ç¹ãšãããã°ãã ã»ãã©ãã®ã°ããŒãã«ãšãã¥ã±ãŒã·ã§ã³ãã£ã¬ã¯ã¿ãŒã§ãã圌女ã¯ãåç€Ÿã®æè²ããã°ã©ã ã®éçºã»ç£ä¿®ãæ åœãããšãšãã«ãåçæè²ã«ãããå瀟ã®ããžã§ã³ã圢äœãããŒãããŒã·ãããäž»å°ããç«å Žã«ãããŸããããžã¥ã¢ã«ã¹ããŒãªãŒããªã³ã°ã®åéã§15幎以äžã®çµéšãæã¡ããããã§ãã·ã§ãã«ãªå®è·µã«ã€ããŠå®æçã«æè²ã«åŸäºããã»ããäž»èŠãªåçã€ãã³ãããã§ã¹ãã£ãã«ã«ãããŠå¯©æ»å¡ãããŒããã©ãªãªã¬ãã¥ã¢ãŒãåããŠããŸãã
ZACK HATFIELD
ç·šéé·
ApertureïŒã¢ããã£ãŒïŒ
Zack Hatfieldã¯ãApertureèªã®ç·šéé·ã§ãã圌ã¯ãèšäºã®äŸé Œãšç·šéãå¯çš¿è ãšã®èª¿æŽãéèªéšéçºã®æžç±å¶äœã«ãããæ¯æŽãè¡ã£ãŠããŸãã2024幎ã圌ã¯ApertureããŒããã©ãªãªè³ã®å¯©æ»å¡ãåããŸããã2024幎ã«Apertureã«å ¥ç€Ÿããåã¯ãArtforum.comã®ã·ãã¢ãšãã£ã¿ãŒãšããŠæŽ»èºããŸãããArtforumãBookforumã4ColumnsãNew York Review of Booksãªã©ã«å¯çš¿ããŠããŸãã
SONIA JEUNET
ã°ããŒãã«ãšãã¥ã±ãŒã·ã§ã³ãã£ã¬ã¯ã¿ãŒ
ãã°ãã ã»ãã©ã
Sonia Jeunetã¯ããã³ãã³ãæ ç¹ãšãããã°ãã ã»ãã©ãã®ã°ããŒãã«ãšãã¥ã±ãŒã·ã§ã³ãã£ã¬ã¯ã¿ãŒã§ãã圌女ã¯ãåç€Ÿã®æè²ããã°ã©ã ã®éçºã»ç£ä¿®ãæ åœãããšãšãã«ãåçæè²ã«ãããå瀟ã®ããžã§ã³ã圢äœãããŒãããŒã·ãããäž»å°ããç«å Žã«ãããŸããããžã¥ã¢ã«ã¹ããŒãªãŒããªã³ã°ã®åéã§15幎以äžã®çµéšãæã¡ããããã§ãã·ã§ãã«ãªå®è·µã«ã€ããŠå®æçã«æè²ã«åŸäºããã»ããäž»èŠãªåçã€ãã³ãããã§ã¹ãã£ãã«ã«ãããŠå¯©æ»å¡ãããŒããã©ãªãªã¬ãã¥ã¢ãŒãåããŠããŸãã
ZACK HATFIELD
ç·šéé·
ApertureïŒã¢ããã£ãŒïŒ
Zack Hatfieldã¯ãApertureèªã®ç·šéé·ã§ãã圌ã¯ãèšäºã®äŸé Œãšç·šéãå¯çš¿è ãšã®èª¿æŽãéèªéšéçºã®æžç±å¶äœã«ãããæ¯æŽãè¡ã£ãŠããŸãã2024幎ã圌ã¯ApertureããŒããã©ãªãªè³ã®å¯©æ»å¡ãåããŸããã2024幎ã«Apertureã«å ¥ç€Ÿããåã¯ãArtforum.comã®ã·ãã¢ãšãã£ã¿ãŒãšããŠæŽ»èºããŸãããArtforumãBookforumã4ColumnsãNew York Review of Booksãªã©ã«å¯çš¿ããŠããŸãã
ã«ããŽãªãŒ
ã«ããŽãªãŒ
ãããã»ã«ãã©ãã ãã¹ã¿ãŒãº2026ã³ã³ãã¹ããã¯ãèŠèŠèžè¡ã®æ¬è³ªçèŠçŽ ãšããŠãåªããç»ååè³ªãæ¬è³ªçãªçŸãããæ·±ãæŽå¯åãæ¬æ°ãªèŠç¹ããããŠåµé æ§ãéèŠããŠããŸãããã®ã³ã³ãã¹ãã¯ã7ã€ã®éšéã§æ§æãããŠããŸãã
ãããã»ã«ãã©ãã ãã¹ã¿ãŒãº2026ã³ã³ãã¹ããã¯ãèŠèŠèžè¡ã®æ¬è³ªçèŠçŽ ãšããŠãåªããç»ååè³ªãæ¬è³ªçãªçŸãããæ·±ãæŽå¯åãæ¬æ°ãªèŠç¹ããããŠåµé æ§ãéèŠããŠããŸãããã®ã³ã³ãã¹ãã¯ã7ã€ã®éšéã§æ§æãããŠããŸãã
- ã©ã³ãã¹ã±ãŒãéšéãžã®å¿åäœåã¯ãåçå®¶ç¬èªã®èŠç¹ãæ ãåºããçŸæèãšåè¿°ã®æ·±ã¿ãäž¡ç«ãããäœåãšããŸãã衚é¢çãªçŸãããè¶ ããŠã芳ãè ããã®æ æ¯ãžãšåŒã蟌ã¿ãèšå Žæãšçãçããšããææ ã®å ±é³Žãçã¿åºãäœåããåŸ ã¡ããŠããŸãã究極çã«ã¯ãå¿åäœåã¯ã人éãšèªç¶ãšã®éã«å ±æãããçµãç¯ããã®ã§ããã¹ãã§ããä»ããæåºã©ã³ãã¹ã±ãŒã
- ã¢ãŒããã¯ãã£ãŒéšéã®äœåã¯ãåãªãæè¡çãªçç·Žæ§ã«ãšã©ãŸããã建ç¯ç©ã«å¯ŸããåŸæ¥ã®èŠæ¹ãæç Žããæ°ããªèŠç¹ã®éæãè¿«ãäœåãšããŸããå¿åäœåã¯ãåçèšèªãçšããŠãåµäœè ç¬èªã®è§£éãåæ ããæ§é ç©ã建ç¯ç°å¢ã«å¯Ÿããéè³è ã®äœéšã転æãããã®ã§ãªããã°ãªããŸãããæåçèšæ¶ã瀟äŒççè·¡ããããŠæéã®å»ã¿ãæããã«ããããã«ãã£ãŠæ·±é ãªäººéçæå³ãè§£ãæããäœåããåŸ ã¡ããŠããŸããä»ããæåºã¢ãŒããã¯ãã£ãŒ
- ããŒãã¬ãŒãéšéã®å¿åäœåã¯ã被åäœã®å é¢äžçãè€éãªææ ããããŠå ãªãèªå·±ãæ ãåºããšåæã«ãåçå®¶ãšè¢«åäœãšã®åºäŒããã€ãªãããå ±é³ŽãŸã§ãäœçŸããäœåãšããŸãã衚é¢çãªæ§çžãè¶ ããŠãããŸããŸãªã¢ã€ãã³ãã£ãã£ãæã€äººã ã®ãç®ã«èŠããªãç¹å¥ãªç¬éãæããéè³è ã®å¿ã«æ·±ãé¿ãäœåããåŸ ã¡ããŠããŸããä»ããæåºããŒãã¬ãŒã
- ã¹ããªãŒãéšéãžã®å¿åäœåã¯ãåãªãéœåžã®èšé²ãè¶ ããäœåãšããŸããåçå®¶ç¬èªã®è§£éã蟌ããããšã§ããããµããéœåžã®æçããç§ãã¡ã®æ®ããã亀æµãçãçããšäŒããç©èªãžãšå€ãããããªäœåã§ãã人ã ãšéœåžã®éã«ååšããç¹çްãã€æ¬ç©ã®çµãæããèšèãè¶ ããç©èªãšããŠãå ±åã®æèŠãåŒã³èµ·ãããããªäœåããåŸ ã¡ããŠããŸããä»ããæåºã¹ããªãŒã
- ã¢ãŒãéšéã¯ãã³ã³ã»ãããšææ³ãèåããå¹»æ³ã®é åã§ãããåµé æ§ã人éçãªæ³ååãææ§ãåååãšãªã£ãŠããŸããåžžèãæã¡ç Žããç¬èªã®èŠèŠçç¹åŸŽãéããŠãä»ã®äœè ã«ããšããããªãèªç«ããçºæ³ãæããã«ããäœåããåŸ ã¡ããŠããŸãã å¿åäœåã¯ãåçèžè¡ã«å¯Ÿããèªèãåæ§ç¯ããæ çµã¿ãè¶ ããŠå ±é³ŽããèŠèŠèšèªãéããŠãäžçäžã®éè³è ãšã€ãªãããããªäœåãšããŸããä»ããæåºã¢ãŒã
- ãããžã§ã¯ã//21ã¯ãå¶çŽã®ãªããã©ãããã©ãŒã ã§ããã21æ³ä»¥äžã®åçå®¶ããèªåèªèº«ã®çŽæçã§æªç¥ãªãåãèªç±ã«è¡šçŸã§ããŸããããŒãããžã£ã³ã«ã«å¶éã¯ãããŸãããè¥ã ãããšãã«ã®ãŒã«ããµããç¬èªã®çºæ³ãéã芳å¯åããããŠèª å®ãªåµé æ§ãæããã«ããªãããåçæè¡ã®éçã«ææŠããäœåããåŸ ã¡ããŠããŸããä»ããæåºãããžã§ã¯ã//21
- ã¯ã€ã«ãã©ã€ãéšéã®å¿åäœåã«ã¯ãé«ãæè¡åãšæç¢ºãªèŠç¹ãæ±ãããããšãšãã«ãèªç¶ã®çŸãããç¥ç§ã«å¯ŸããŠéè³è ã®ç®ãéãããæ¶ãæ©ãšãªãããšãå¿ èŠã§ããäºåºŠãšèšªããªãç¬éãæãã人éãšéçåç©ãšã®ç¹çްãªçµãå¯èŠåããäœåããåŸ ã¡ããŠããŸããå¿åäœåã¯ãçåœã®èºåæãšèªç¶ã®ãªãºã ãäŒããéè³è ãšçãç©ãã¡ãã€ãªããç§ãã¡ãšèªç¶ãšã®é¢ä¿ã«ã€ããŠæ·±ãèå¯ãä¿ãäœåãšããŸããä»ããæåºã¯ã€ã«ãã©ã€ã
è³åå 容
è³åå 容
åè³è ã«ã¯ã1åç»çŽ ã»ã³ãµãŒæèŒã®ãã©ãŒã¬ã¹äžå€ã«ã¡ã© (X2D II 100C) ãšXCDã·ãªãŒãºã¬ã³ãº2ã€ãæäžããã5000ãŠãŒãçžåœã®åµäœæ¯æŽåºéãç²åŸããããšãã§ããŸãããŸããåè³è ã®åçäœåã¯ãHasselblad Masters bookãã«æ²èŒãããŸãã
åè³è ã«ã¯ã1åç»çŽ ã»ã³ãµãŒæèŒã®ãã©ãŒã¬ã¹äžå€ã«ã¡ã© (X2D II 100C) ãšXCDã·ãªãŒãºã¬ã³ãº2ã€ãæäžããã5000ãŠãŒãçžåœã®åµäœæ¯æŽåºéãç²åŸããããšãã§ããŸãããŸããåè³è ã®åçäœåã¯ãHasselblad Masters bookãã«æ²èŒãããŸãã
ã¿ã€ã ã©ã€ã³
ã¿ã€ã ã©ã€ã³
ã«ãŒã«
ã«ãŒã«
- ãããã»ã«ãã©ãã ãã¹ã¿ãŒãºãã³ã³ãã¹ãã¯ãäžçäžã®åçå®¶ã察象ãšããŠããŸããå¿åäœåã®æ®åœ±ã«äœ¿çšããã«ã¡ã©ã«ã€ããŠã¯ãããžã¿ã«ã«ã¡ã©ãŸãã¯ãã£ã«ã ã«ã¡ã©ãã«ã¡ã©ã®ãã©ã³ãããã¬ãŒã ãµã€ãºãªã©ãèªç±ã«éžã¶ããšãã§ããŸãããã ãããããŒã³ãã¹ããŒããã©ã³ãã¿ãã¬ããã§æ®åœ±ãããåçã¯å¿å察象å€ãšãªããŸãã
- ãããžã§ã¯ã//21ã¯ãäžçäžã®21æ³ä»¥äžã®åçå®¶ã察象ã«ããŠããŸããå¿åäœåã®ããŒãã«å¶éã¯ãããŸããããã ãã幎霢確èªã®ãããå¿åè ã¯ãã¡ã€ããªã¹ãã®çºè¡šåã«å¹Žéœ¢èšŒæè³æãæåºããå¿ èŠããããŸãã
- å¿åè ã¯ãããã»ã«ãã©ããå ¬åŒãŠã§ããµã€ãäžã§ãä»»æã®ã³ã³ãã¹ãéšéã«äœåãå¿åã§ããŸããå¿åæã¯ã1éšéã«ã€ãã3æã®åçäœåãæåºããå¿ èŠããããŸãããŸãããã®å¿åäœåã¯ãåéšéã®ããŒãã«åèŽããã¹ã¿ã€ã«ãçµ±äžãããŠããããšãæ±ããããŸãã3æã®ç»åã§æ§æããã1äœåã¯ã1ã€ã®éšéã«ã®ã¿å¿åã§ãããã®äœåãä»ã®éšéã«å床å¿åããããšã¯ã§ããŸãããåçã¯ãJPG圢åŒïŒ1æ10MB以äžïŒã§ãè§£å床300dpi以äžã§æåºããå¿ èŠããããŸãããŸããåçã®é·èŸºã®ãµã€ãºã1000ç»çŽ ä»¥äžã§ããå¿ èŠããããŸããç»åã«ã¯ããŠã©ãŒã¿ãŒããŒã¯ããµã€ã³ãªã©ãå«ãŸããŠã¯ãããŸããã
- ããã»ã«ãã©ãã ãã¹ã¿ãŒãº ã³ã³ãã¹ããä»ã®åçã³ã³ãã¹ãïŒSony World Photography AwardsãNikon Photo ContestãInternational Photography AwardsãSkyPixel Annual Photo & Video ContestãWorld Press Photo ContestãTrierenberg Super Circuitãå«ããããããã«éå®ãããªãïŒã®åè³æŽããããšã³ããªãŒäœåã¯ãã³ã³ãã¹ããžã®å¿åè³æ ŒããããŸããã
- å¿åè ãæäŸããæ å ±ã«åœãããªãããšã³ããªãŒäœåãäœè ã®ãªãªãžãã«äœåã§ããå¿ èŠããããŸããèåœã®æ å ±ãæåºãããå ŽåããŸãã¯ããšã³ããªãŒäœåãAIã«ããçæãããå Žåãå¿åè ã®å¿åè³æ Œã¯åãæ¶ãããå¿åè ã¯è©²åœããæ³ç責任ãè² ãå¿ èŠããããŸãã