PHOCUS MOBILE 2


PHOCUS

Our powerful, free RAW file image processing software has been updated and expanded with new features that work seamlessly with all Hasselblad cameras.

The graphical user interface offers a clean and uncluttered workflow, making it easier for users to find their way around more quickly and simpler than before. The flatter design helps you concentrate on the job at hand and makes for simpler navigation. We’ve also added some new tools to enable finer control of the editing process and ensure the very highest quality output from your files.

New Features in Phocus Update 3.8.3 (Mac)

  • Support for XCD 20-35E
  • Fix for crash when viewing HEIF files on macOS Sequoia
  • Integrated Eizo self-calibrating monitor support removed. Please use Eizo’s software to manage your display
  • Histogram tool updated
  • Face detection AF no longer disabled during tethered capture

Features



ADJUSTMENT LAYERS

The Local Adjustment Tools allow the user to apply exposure, white balance, colour and moiré corrections via either a radial or linear gradient, and for those finer corrections, a brush tool – which are all added via adjustment layers.

NATURAL COLOURS

Hasselblad’s Natural Colour Solution (HNCS) enables you to produce outstanding and reliable colours so that skin tones, specific product colours, and difficult gradations reproduce beautifully every time without the need for multiple colour profiles.

KEYSTONE PERSPECTIVE CORRECTION

The Keystone Tool enables you to perform high quality perspective corrections directly in Phocus. This can be done both via a simple guideline interface or manual slider adjustments. Additionally, the dual-axis correction capability is extremely useful when copying flat artwork.


AUTO MOIRÉ DETECTION

Phocus can now scan your images and automatically detect moiré interference patterns. You can choose to correct the interference globally or locally via the brush tool.

LOCAL ADJUSTMENT OF HIGHLIGHT RECOVERY

Highlight recovery is a part of the palette of local adjustment tools, allowing for quick and precise correction without the need for manual masking.

VIEWER BACKGROUND AND MARGIN OPTIONS

Margin and background color options can be configured for the viewer. This can be done separately for both the normal and a newly added proof mode.


DIGITAL LENS CORRECTION

Hasselblad’s modern lens design has been optimised for digital perfection, including full automatic correction of colour aberration, distortion and light fall off. Phocus makes use of its detailed knowledge of the lens design and calculates the optical corrections for every shot at the given distance and aperture setting, providing perfect images, and an ideal basis for optimal image rendering and further processing. Hasselblad Digital Lens Correction technology works automatically with all Hasselblad H System lenses, even with tilt/shift movements and with all Carl Zeiss lenses from the classic V System, using manual settings.

DEFRINGE TOOL

The Defringe Tool enables easy removal of purple or green fringes that may occur in situations such as high contrast transitions. Pick the area to obtain an automatic setting of amount and range and manually adjust from there if needed. Note that this tool is also available in adjustment layers.

LUMA MODE IN CURVES TOOL

Luma Mode has been added to the Curves Tool, providing the option to control luminosity with less impact on colour rendition than the simple RGB curve provides.


Focus Bracketing

Tethered execution of Focus Bracketing sequences is now possible via additional functionality in the Capture Sequencer tool. X, H and 907X cameras are supported.

New Film Grain Tool

The new Film Grain tool enables adding a highly flexible simulation of film grain to images. Three different types of film grain simulations are available with the ability to change the following four parameters for each: amount, granularity, roughness and colour.

Adaptive Chromatic Aberration

The Adaptive Chromatic Aberration option now makes corrections of lens chromatic aberration in images based on image analysis rather than theoretical data, as was done previously. This also allows for the correction of chromatic aberration in images shot on third-party lenses.