Imaginative self-portrait photographer Flora Borsi is no stranger to the X System, and was one of the first photographers to try out the next generation X1D II 50C. Flora decided to put the camera to work capturing a wide spectrum of colours, dressing herself in melting ice cream, gooey lettuce, vibrant roses, and splattered blue paint.
The X1D II 50C is very fast, both in terms of continuous shooting mode and system start. The menu navigation's user interface is extended with useful, additional sub-menus. I especially liked the opportunity to shoot with interval capturing mode, where I could select how many images I wanted to take with self-timer, setting the time between each take. I love the big screen with high a resolution. The preview images were a lot clearer and bigger, therefore making it easier to spot any mistakes.
CLICK IMAGE BELOW TO ZOOM IN
RICH COLOUR DEPTH
I wanted to capture the strongest profile of Hasselblad, which is color and detail. Even though it has the same sensor, somehow, I noticed that the color-grades and color depth is more developed, so I wanted to play with the viewer's imagination. I want to inspire people to create something unordinary, otherworldly – so I was thinking in the same way while creating my images.
SHARP DETAILS FROM THE FIRST SHOT
The X1D II was amazing to work with when it comes to details, colours and resolution. Even with 50MP, I could easily enlarge it to 1,5 or 2 meters when it comes to printing. The details are so rich that I couldn't complain or compare it to other cameras. The details don’t come from post production sharpening; they're really sharp from the start!
TAKING A PHOTO IN ONE TAP
I was working mostly with Phocus Mobile on my iPad. To adjust autofocus through Phocus is a precious function since I'm doing self-portraits and sometimes, I don't have time for metering distance. Just one tap and the image is captured – how amazing is that?
I felt really inspired to create. I knew that the final result was going to be technically perfect and this is exactly what I need – I didn't have to worry. The style of the camera is also very inspiring. When I was looking at this camera, I felt like I wanted to do all of my projects (which have been in my sketchbook for years) immediately. The X1D II is just beautiful and smart – everything I need in a camera. Cameras are tools and should help artists to manifest their ideas. I think the Hasselblad X1D II totally made this possible, without any doubt.
COMPACT.
POWERFUL.
ENHANCED.
More Hasselblad stories
All stories ⟶
Ali Rajabi
New York anhalten mit der X2D
Jeder Fotograf kennt die Marke Hasselblad, egal ob Amateur, Enthusiast oder Profi, weil die Fotografie viel von Hasselblad beeinflusst wurde. Für mich ist es eine Investition in meine Karriere, um auf die nächste Ebene aufzusteigen. Es ist immer wichtig, das richtige Werkzeug im richtigen Moment griffbereit zu haben, um großartige Fotos zu machen.
Hans Strand
Island in faszinierenden Details mit 100 MP
Für mich als Fotograf ist die X2D das, was eine Stradivari-Geige für einen Geiger ist. Sie ist die ultimative Kamera.
Flora Borsi
Magischer Realismus mit der X2D
Die X2D ist wie eine Kamera für Maler. Die Bilder haben den Hauch und technischen Hintergrund eines Gemäldes. Ich konnte die beiden fast nicht auseinanderhalten, weil sie einfach so perfekt sind. Diese Kamera erzeugt alle Daten, die ich brauche, um die Geschichten zu vermitteln, die ich mit meinen Bildern erzählen möchte.
Heath Holden
Disappearing Doha
Discovering his new home of Doha, Qatar through the lens of street photography, Heath Holden explored the older and more traditional neighborhoods of the historical city.
Walter Janach
A Love Affair with Aviation on the 500C
Unable to become a pilot due to his eyesight, the young Swiss photographer and later professor of technical thermodynamics Walter Janach channeled his passion for aviation into capturing these majestic flying machines on his 500C.
Donald Michael Chambers
60 Minutes of Silence
No talking. No phones. No distractions. For 60 minutes, Donald Michael Chambers sat with each of his 30 subjects in complete silence. Once the hour began, Donald gave no direction and simply decided when to click the shutter button.